View Triad Stage audition and job opening information.
Triad Stage is a not-for-profit theater serving North Carolina’s Piedmont Triad region. Now in its 18th season, Triad Stage produces professional live theater in Greensboro and Winston-Salem. Triad Stage is guided by its Core Values: Excellence, Artistic Risk, Imagination, Community, Learning, Inclusion, Collaboration, Rejuvenation, A Southern Voice, and North Carolina. Triad Stage is embracing an organizational model of led collaboration and seeks to be a Vitally Welcoming theater.
Work With Us
Triad Stage, an LOA to LORT-D Theater producing in both Greensboro and Winston-Salem, NC, is seeking a full-time, Properties Master, a member of the Creative Company led by the Producing Artistic Director. The Properties Master will plan and execute the purchasing, borrowing, pulling, construction, painting, and/or finishing of all properties and set decoration for the productions and events at Triad Stage. The Properties Master is also responsible for the supervision, tracking, and recognition of the Season’s properties budget for each production, as well as the props department budget. Additionally, they will maintain the tools and equipment of the Props Shop, keep props storage organized, and mentor the Properties Apprentice. They should excel in a fast paced work environment and possesses excellent multi-tasking skills. Collaboration, creativity and inclusivity are hallmarks of the ideal candidate. Triad Stage has a core value of Inclusion and is actively seeking to diversify its staff. For more information please visit: http://triadstage.org/workwithus. For consideration please send cover letter, resume, and references as PDFs to: email@example.com.
Triad Stage seeks teaching artists for in-school, after-school and workshop programming offered by our Learning Department. Triad Stage offers students opportunities to explore various elements of theatre including text analysis, playwriting, acting, movement, voice, design and pre and post-show workshops. We are seeking diverse artists who are passionate about sharing their craft and working with young people. Key responsibilities include creating and facilitating theatre-based creative learning experiences for students and managing a classroom in such a way as to ensure the safety and inclusion of all students. We have a BA or equivalent in theatre or theatre education, or correspondent experience with experience teaching in a workshop, classroom or camp setting.This position will be contracted with an hourly rate commensurate with experience. The size of contract will vary based on residency, and the teaching artist will be compensated for planning time as well as contact hours.
To Apply: Please send the following documents to Learning Director Dani Keil (firstname.lastname@example.org) with “Teaching Artist Application” in the subject line:
A resume or CV with three professional references.
A cover letter that explains your interest in the described program, the key elements of your teaching philosophy, and how your previous experience aligns with the goals of the program and the position.
An outline of your general availability during the academic year.
Areas of expertise you would be excited to teach in a workshop, residency, after school or camp setting.
Interested in volunteering with Triad Stage? We have a variety of volunteer opportunities. At the heart of our volunteer program are our volunteer ushers, who hand out programs, tear tickets and direct guests during all of our performances at The Pyrle Theater in downtown Greensboro. Volunteer ushers work closely with our Front of House staff to ensure that our patrons have the best experience possible at the theater. We also have opportunities throughout the year in our administrative office and at community events.
Thank you for your interest in Triad Stage. We are unable to accept unsolicited scripts at this time. Due to the volume of material we consider each year Triad Stage only accepts play submissions from playwrights, agents, and theatre artists with whom we have an existing professional relationship. Unsolicited scripts will be returned when there is a SASE enclosed; those without a SASE will be recycled.
Please note that Triad Stage does not provide any comments or suggestions about work that we do not intend to develop or produce. If you have any questions or need additional information, please email Sarah Hankins, Associate Artistic Director.
Triad Stage will be holding auditions our upcoming production of PRIDE AND PREJUDICE on October 12, 2019. We strongly encourage actors of all ethnicities to audition.
Date: October 12, 2019
(Break between 1:00 – 2:00)
Location: Upstage Cabaret, located on the third floor of Triad Stage
Address: 232 South Elm Street, Greensboro, NC 27401
Auditions are by appointment only.
Please contact Keaton Brower, Artistic Apprentice, to schedule an appointment. Email: email@example.com
Please prepare a 1-2 minute classical monologue and bring a picture and resume.
PRIDE AND PREJUDICE
First Rehearsal: February 25, 2020
First Preview: March 22, 2020
Opening: March 27, 2020
Closing: April 12, 2020
Rehearsals: Tuesday – Sunday, gernerally 6-8 hours daily until tech.
Actor Track 1
This role has been CAST. (plays Jane/Miss de Bourgh) Female, late 20s-early 30s, open ethnicity.
The eldest of the Bennet sisters, Jane is unassuming, kind, and generous-hearted. Considered to be
the daughter most likely to make a good match, Jane bears the burden of the family connections and
financial future. She almost instantly falls in love with Bingley and his enthusiasm. She has a strong
sense of duty that prevents her from pursuing her true desires. Through the play she discovers her
own independence and desires and makes the decision to seize control of her relationship with
Bingley. Lady Catherine’s daughter Miss de Bourgh is a somewhat frightening creature, who never
quite manages to articulate more than one word at a time. The Miss de Bourgh is quite pampered,
snobbish, and self-important. Both roles require a RP dialect.
Actor Track 2
(plays Lizzy) Female, late 20s-early 30s, open ethnicity. Independent, proud, and outspoken, Lizzy
Bennet is determined not to marry, but instead to forge her own path. Naturally witty, Lizzy often uses
humor as a way to deflect her insecurities, to cheer her friends, or cut someone down to size. She is
fiercely loyal and sometimes oversteps her bounds to protect them. Although quite intelligent, Lizzy
can get easily flustered by romance, which manifests in an awkward klutziness. Because of her fear of
marriage and her innate cynicism, Lizzy hesitates to reveal her vulnerabilities and heart to Darcy.
Requires a RP Dialect.
Actor Track 3
(plays Lydia/Lady Catherine) Female, early - mid 20s, open ethnicity. The youngest daughter of the
Bennet family, Lydia is impetuous, boy-crazy, and incredibly competitive with her sisters. Lydia is
prone to stealing alcoholic drinks at balls and eavesdropping. She often argues with her mother’s
advice or ignores it completely. For all her faults, she is fun-loving and the life of the party. Lady
Catherine is a fierce matriarch who is used to getting her own way. A strong personality, she is
demanding and imperious. Lady Catherine is determined that Darcy should marry her daughter and
will eradicate anyone who impedes that from taking place. Requires a RP Dialect.
Actor Track 4
(Mr. Darcy) Male, late 20s - late 30s. Darcy is often hampered by his own sense of propriety and his
overwhelming shyness. He believes strongly in following the rules of society and disapproves of those
who step out of line. Although deeply sensitive, his outward demeanor comes off as aloof and distant.
A classic introvert, he fears social embarrassment and has difficulty starting conversations with
unfamiliar people. Darcy is fiercely loyal to his friends and family and endeavors to honorably conduct
himself in business and in personal affairs. He has difficulty telling lies -- even white lies. Darcy also
has a quiet and intelligent wit, which is invigorated by sparring with Lizzy. Requires a RP Dialect.
Actor Track 5
(Mr. Collins/Mr. Wickham/Miss Bingley) Open gender, late 20s - mid 30s, open ethnicity. Pedantic and
self-important, Mr. Collins is “the original mansplainer”. He reverently adores his patron, Lady
Catherine de Bourgh, and demands that everyone else do so as well. Mr. Collins is a bit sweaty and
slimy, but believes himself to be quite a catch. Mr. Wickham, on the other hand, is effortlessly
handsome and charming with a bad-boy edge. He is comfortable in his own skin, even when he is in